The veteran artist, who rose to prominence in the 1990s, pointed to real-life experiences that highlight the disconnect between artists and the business side of the industry. He revealed that while a fellow Tejano star showed immediate support for a potential collaboration, communication broke down at the label level.

“The artists are willing… but the system around them isn’t,” he added.

Castillón also addressed deeper issues within the industry, including gatekeeping, lack of recognition for veteran artists, and a culture of competition rather than collaboration.

“There’s no real brotherhood like you see in other genres,” he said. “Instead of building each other up, too many promoters and people behind the scenes are busy tearing each other down.”

He further noted that connections and management often outweigh talent when it comes to opportunities — a reality he believes contradicts the core values of Tejano music.

“Who you know and who manages you still determines your opportunities more than your talent does. That shouldn’t be the case in a culture built on roots, family, and respect.”

A pioneer of modern Tejano, Castillón has spent decades helping shape the genre’s sound. As the voice behind La Diferenzia, he led the group to major success in the mid-90s, including a landmark performance at the Houston Astrodome before more than 61,000 fans and multiple Billboard chart-topping hits. Songs like “Mundo Sin Guitarras,” “Linda Chaparrita,” and “Si Lo Quieres” remain staples in the genre.

After years of continued dedication, Castillón recently experienced a resurgence with his comeback album Renacimiento del Phoenix (Phoenix Rising). The 12-track project earned multiple honors at the Premios Tejano Mundial, including Album of the Year, and Entertainer of the Year at Tejano Music Awards last year, further solidifying his legacy.

Despite his success, Castillón made it clear that even established artists often feel overlooked.

“Some of us have been here, putting in real work for years — decades even,” he said. “Still standing, still pushing, still believing in this music. But too often, that work goes unnoticed.”

He also called out what he described as opportunistic behavior within the industry — where artists are embraced during peak moments but quickly forgotten afterward.

“If you’ve got a hit, they’ll call you… But once that moment passes, you’re forgotten again. Used when it’s convenient and ignored when it’s not.”

Castillón warned that without meaningful change, the long-term future of Tejano music could be at risk.

“That’s not how you build a legacy. That’s how you slowly lose an entire culture.”

He closed his message with a powerful call to action:

“If we don’t start supporting each other genuinely, consistently, without conditions — there won’t be much left to fight for. The talent is here. The passion is here. The history is here. What’s missing… is unity.”

As one of the most respected voices in Tejano music, Castillón’s words are likely to spark important conversations — and perhaps, the reflection needed to move the genre forward.

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Celina Martinez